Tuesday, April 20, 2010

Blur of a Japanese Subway (Redo)


This picture should look familiar... I was recently petitioned to submit one of my works in a local publication called Shorelines. Last year I won first place with this comic: http://www.jerbl.com/monisawa/comics/today-nonsense/special/01.htm This year I didn't submit, but that's ok, I have been so busy the whole semester. X_x urg... Anyway, so this picture was one I submitted for Illustration Friday last semester, and I decided to include it. However, after going through my classes this semester I couldn't submit it without making some changes...because I've learned alot. :P So now it is cleaned up and more presentable! Yay!

Saturday, April 10, 2010

MCMA 2009 Awards

So my wife and I just attended an awards ceremony held for all Missouri newspaper and yearbooks. Since I did the comics for MCC Longview's 'the current' for all of 2009, I won several awards:

2nd place (story illustration - Division 4)
I honestly was not expecting this to be part of the awards... 0_O haha! The article was written as a joke, and was purely ridiculous, but funny. When they called my name I was like, "Are you for REAL?" haha!

3rd place (entertainment Cartoon - Division 4)
I wasn't expecting this one to one...I had some others in mind, but whatever. ^_^

3rd Place (Editorial Cartoon - Division 4)
Honestly I was expecting this one to win. I knew as long as it was entered it would win, and it did. I really liked it, and especially how it turned out! ^_^


For 2008 I won first place with these comics:

1st place Entertainment
1st place Editorial Cartoon

Looking back at my older comics they had much more heart. Honestly I was a bit disapointed, since last year I won first place in both sections and this year I didn't, however this gives me time to reflect on my mentods and content. Since I am an illustrator, all last year I put the highest presidence to the art, and the content came second...I think that was where my mistake lay. This fall I hope to participate in UCM's newspaper, 'the muleskinner' and will up my content and art because the college is a Division 1, where more is expected of me. My biggest focus, however, will be to turn back to my older roots by cutting out all distractions (color, elaborate formats, crazy dialogue, etc).

School Project update

I cannot represent the total sum of the work done so far this semester, but I include a few here, with brief descriptions. Hope everyone enjoys:

Class: Typography.
Assignment: Make a T-shirt for Graphic Designers utilizing a person from History instrumental in the creation of Type.
My Thoughts: I chose the earliest known inventor of movable type. Approx. 600 years before Gutenberg invented the European Movable type, Bi Sheng did it first in China.


Class: Typography
Assignment: Make a poster advertising a typeface. Utilize a style of design from the time period of the typeface you choose.
My thoughts: The poster turned out better than I expected, however it does not look like anything from the 1950's. I spent most of my time researching the clothes and hairstyles of the time period for the characters instead of focusing on the specific typefaces they used, and style of art. This ad format is based mostly off laundry detergent adds such as Tide and Joy.
Class: Design 2 (color Theory)
Assignment: Listen to an album by Godspeed You Black Emperor called "Lift Your Skinny Fists Like Antennas To Heaven"and make a design based on one of the songs.
My thoughts: By the title of the CD alone one could guess how strange the music would be. The group is a kind of ambient/rock/newage band. It is really hard to explain unless you hear their music. I really enjoyed this assignment and was probably more surprised by how my picture turned out then anyone-else. My favorite aspect of this picture is the perpetual movement in the picture.

Thursday, April 01, 2010

Ponyo, Kazuo Oga, and POSTER paint...


7/4/2014 UPDATE:   MAKE SURE TO READ MY NEW BLOG POSTS ON POSTER PAINT


Blog Post from 4/1/10:

Yesterday, "The Art of Ponyo," arrived. I read it cover to cover. As with most Ghibli movies, I was fascinated with the detailed backgrounds and especially the vibrant child-like colors in Ponyo. After finishing the book, I was immediately surprised to find out that Ghibli hadn't used watercolors after all (like the rumors I had heard). Nor had they used Gouache or acrylic paint. They had used poster paint for Ponyo. Not only that, but as I researched further I found out poster paint had been used for EVERY GHIBLI MOVIE BACKGROUND EVER MADE!!!

GAH! POSTER PAINT? For at least a year I have been attempting to understand how Kazuo Oga works (Oga is a background artist for Ghibli, well known for My Neighbor Totoro) .

Kazuo Oga is a master of depicting lifelike vibrant nature scenes, which bring Hayao Miyazaki's movies to life.


Based upon my limited knowledge and what I could gather from the pictures, I originally assumed Oga used acrylic paint. Investing in an expensive brand of paints, they proved to be vibrant enouph, but the paint dried so fast I couldn't get any of the effects I desired. This congested mess resulted:

I virtually gave up on acrylics for awhile, assuming I would have to be a master like Oga. Moving on I tried opaque watercolor and assumed satisfaction would be found...

The result was closer, but as time passed I ruled it out. At this point, I have tried virtually every kind of traditional paint only to find out that he uses... poster PAINT!? (and most Japanese animation companies as well.) Sigh.... After more research I learned that America uses mostly Gouache for their backgrounds, and some older animation actually used watercolor (Lilo and Stich brought this back in the present). Gouache is ok, but can be frustrating, and watercolor would be near impossible to achieve Ghibli backgrounds.

After digging, I found that Ghibli uses "Nicker Poster Colour", a poster paint that is higher grade than what is available in the U.S.. The company who produces it originates in Korea. Nicker Poster Colour is available on Amazon Japan to buy, but will not ship to the states.

According to the good folks at Conceptart.org this is what Oga had to say regarding his artwork:

"Basically, I use poster- color. Because as we have to paint much, we can't use expensive paint. Poster colors can show brightness or depth of color and, above all, it is easy-to-use. Talking about brushes, I use only two kinds of brushes, hira-fude (flat brush) and sakuyo-fude (pointed brush). For example, a sky or feathering clouds, misty distant mountains, rocks, plants… everything rough is done only by this large hira-fude. Old TV series anime used to be done in this way only. The last finish is done by sakuyo-fude carefully. I paint leaves roughly with hira-fude and add a few detailed leaves on it. Which is enough because the backgrounds of anime are shown only 3 or 4 seconds."


And according to a person who visited a Japanese studio, as recorded at Huitula.com, all Japanese utilize similar processes for background animation:


"Usually the works are being painted on just barely bigger paper than standard A4-paper, Nicker Poster Colour used with about 30 different colors in bottles. On a wet paper first the basic color surfaces and tones are being painted with a bigger brush, after which you move on to smaller details little by little. Also the straight lines are being painted with a brush, taking support from a ruler and a stick gliding on its groove. A paintbrush is used only very seldom to achieve some certain effects, still most of the painting is done with a traditional brush. Hair-dryers are also being used for drying the painting when needed."

Actually for Ponyo it utilized a combination of Poster paint and colored Pencil. Here is excerpts from the artbook:

Noboru yoshida, Art Director for Ponyo stated,"Usually I use poster paint to create the backgrounds; then I color the base in a pale color, adding subtle hues and shading on top of it. This time, with Ponyo, I added things like tints or detailed expressions with colored pencil on top of what I drew with poster paint..." He goes on to explain much more detail on pg 88 (other useful information about their unique process) but I will leave it out so you will go buy the book. ^_^


Okay, so now that I am done ranting, here is a SUPER amazing video:
http://www.youtube.com/watch?v=sw6htaSNaJc
(video of Oga painting...with POSTER PAINTS.)


[Edit: 7 November 2011 Cleaned up text and clarified some points]